Yesterday the Captain went to the movies!
It has been a while.
But Cinemark hasn’t changed.
Yes, every last one is "out of order".
Captain’s Note: The First Mate has been complaining
about the conditions of the bathrooms for a long time. A. Long. Time.
Fathom Events brought a special 45th-anniversary showing
of “The Godfather II”, the 1974 sequel to the original “The Godfather”. And
since the First Mate was out of town…
The all-time favorite of the Captain, I have seen (and own
copies of) all three films. I watch them regularly.
I know. I know. What’s with all the glorification of
violence from this so-called preacher?
For me, the violence only undergirds larger themes of honor
and family loyalty.
Themes sorely missing in the world today.
But I believe this is the first time I’ve seen “II” on “the
big screen”.
I wasn’t old enough when it was first released.
The Original, “The Godfather” (1972), introduced us to Vito
Corleone, a powerful olive oil importer who doled out favors within the Italian
immigrant community and also happened to control much of New York. His youngest
son, Michael, returns from WWII and, through a series of twists of fate,
becomes the Don of the Corleone family.
The original movie received a buttload of awards, so the
sequel was immediately set into motion.
Captain’s Note: “The Godfather” took in some $286
million worldwide. “The Godfather II” took in $88 million. Sixteen years later,
“The Godfather III” took in $136 million.
Captain’s Note 2: Paramount Studios bought the screen
rights to Mario Puzo’s book for $80,000.
“The Godfather II” switches between Vito Corleone’s back
story – coming to America as a boy, fleeing the mafia violence of his hometown
in Italy, rising to power and influence by doing “favors” – and Michael
Corleone’s exploits in 1958 as he moves the family business to Las Vegas, entering
the “hospitality” industry (hotels and gambling) in an attempt to take the
family legitimate.
Really?
Michael’s wife, Kay, reminds him that he had once promised her
he would take the family legit in five years.
That was seven years ago.
Perhaps it was because I am so familiar with the Godfather
trilogy that, as I watched “II” on the big screen yesterday, I noticed little
details I had missed before.
Most importantly, Michael’s thirst.
In several scenes, as the stress begins to build, Michael is
shown reaching for and drinking a glass of water. That wouldn’t mean anything
to me until the third movie, but surprisingly it was there all along.
In fact, there are several loose strings at the end of “II”
that literally screamed for a third movie.
Michael has not yet taken the family legit. He just had his older
brother whacked and is feeling guilty because of it. His power and influence is
unraveling as he attempts to expand his reach to a global scale. He’s slipping
- his hitman failed to kill Hyman Roth – that wouldn’t have happened before. And
he is dealing with diabetes, exacerbated by the emotional stress of his work.
And what about his kids? Their presence is significant
throughout “II” – surely there’s more to their stories.
And to the future of the Family.
Now, “The Godfather II” also received a buttload of awards. Marlon
Brando had received ‘Best Actor” award from the Academy for his portrayal of Vito
Corleone in the original; Robert DeNiro received “Best Supporting Actor” for
his portrayal of the younger Vito in “II”.
Captain’s Note: Did you know an original copy of the screenplay
is on display at the National Museum of Cinema at Turin.
Just down the road from the Shroud of Turin, another venerated
site.
Thus, although it took a little longer, “The Godfather III”
was released in 1990.
“The Godfather III” was initially hailed by critics. Coppola
and Puzo viewed “III” as an epilogue, not a sequel. In fact, they wanted to
call it, “The Death of Michael Corleone”.
The studio refused.
But as it has aged, the movie has been panned.
In fact, it is usually not even mentioned when people are
referring to The Godfather movies.
Television stations that air Godfather marathons late at
night only show “I” and “II”.
But the Captain loves “III”.
I root for Michael to be successful in transitioning the
family to legitimate ventures. Michael wants out of the family business, as
signified by the montage at the end of “II”. And he is trying to amend for his violent
past with large donations to the Catholic Church.
In “III” I felt his great love for his daughter, Mary.
And I cry – every time – at the end when she is shot.
I feel some sense of satisfaction as Michael turns over the
operations of the family to his nephew, Vincent, who proceeds to eradicate the
rest of Michael’s enemies and begins a new chapter in the Corleone Family saga.
And I appreciate that Puzo allowed Michael Corleone to die a
natural death – an old man, alone, at a villa in Italy.
Captain's Note: I just learned today that Francis Ford Coppola insisted on an orange in key scenes; if you see an orange, someone is about to die.
Of course, in a couple of scenes, Michael is eating an orange to raise his blood sugar.
Perhaps next year Fathom Events will bring us a 30th
Anniversary showing of “The Godfather III”.
Every story needs a proper ending.